Naipaul was “the greatest prose writer in the English language of the last 60 years”, wrote Amit Chaudhuri in the Guardian when Naipaul died at the age of 85 on August 11. Others were more measured in their praise. They could not overlook his flaws and prejudices. Naipaul himself provoked criticism by what he said and wrote, admitting he had been a “big prostitute man”, ill-treating his first wife, Patricia Hale, and his long-time mistress, Margaret Gooding née Murray, and offending blacks and Muslims among others. Continue reading “Naipaul and his world”
Shakespeare Basics for Grown-ups comes with the subtitle: Everything You Need to Know about the Bard. That sounds rich, but the authors E Foley and B Coates deliver. Concise, comprehensive, it’s a great briefing on the Bard. Continue reading “Shakespeare Basics for Grown-ups”
Anyone who likes to write will probably agree with some of the things George Orwell (June 25, 1903 – January 21, 1950) has to say on why we write. In his essay, Why I Write, which appeared in 1946, four years before he died at the age of 46, Orwell wrote: Continue reading “Orwell: Why I Write, BBC and Reflections on Gandhi”
RK Narayan enjoyed writing short stories more than novels. He said so in the introduction to his collection of short stories, Malgudi Days.
First published in Penguin Books in 1984, Malgudi Days includes selections from his earlier collections, An Astrologer’s Day and Other Stories (1947) and Lawley Road and Other Stories (1956 ), as well as stories that had appeared in such publications as The New Yorker, Playboy and Antaeus. Continue reading “RK Narayan’s Malgudi Days”
Scholarship is like technology, always evolving. The Arden Shakespeare edition of Julius Caesar I picked up from the library can’t be the Arden edition of Julius Caesar I read in my schooldays. This edition, first published in 1998, is edited by David Daniell, who begins his introduction to the play by asserting, “Julius Caesar is Shakespeare’s first great tragedy.” Continue reading “Julius Caesar”
Rosalind has been my favourite Shakespearean heroine from the first time I read As You Like It. That was shortly after the Beatles had disbanded, when soft rock was ruling the airwaves and there were no such things as PCs and the World Wide Web. The world has changed utterly since then even in its reading of Shakespeare. As You Like It now turns out to be not just a romantic comedy, which was what I thought it was, but a play with homoerotic elements. Continue reading “As You Like It, Rosalind”
More than a quarter of the Nobel prizes in literature awarded since 1901 have gone to authors writing in English. But English is not the mother tongue of all of them. Kazuo Ishiguro is the fourth Nobel prize winner in literature who writes in English but whose mother tongue isn’t English. Continue reading “Kazuo Ishiguro and other Nobel Prize winners writing in English”